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How have familiar tales such as 'Cinderella', 'Beauty and the Beast', 'Ali Baba' and 'Bluebeard' been redeployed in film? Why has the industry taken such a keen interest in reworking age-old stories? And are the 3D star vehicles currently being released necessarily the most interesting examples?

Paying particular attention to less conspicuous adaptations in order to question exactly what constitutes a 'fairy tale film', Sue Short argues that some of the most significant revisions can be found where we least expect them. Now, early in the 21st century, Los Angeles-based philosopher Timothy Shanahan is on a quest to hunt down and critically analyze Blade Runner's distinctive treatment of such perennial philosophical topics as human nature, personhood, identity, consciousness, free will, morality, God, death, time, and the meaning of life.

In this tenth anniversary revised and updated edition of They Came From Within, Caelum Vatnsdal adjusts the focus in Canadian horror films, and unwinds the history of this neglected genre to learn "why we fear what we fear and how it came to be that way. This book provides both students and scholars with a critical and historical introduction to the graphic novel. Jan Baetens and Hugo Frey explore this exciting form of visual and literary communication, showing readers how to situate and analyze graphic novels since their rise to prominence half a century ago.

Through their analysis of the works of many well-known graphic novelists - including Bechdel, Clowes, Spiegelman and Ware - Baetens and Frey offer significant insights for future teaching and research on the graphic novel.

De L'île au trésor à Fanfan la tulipe, en passant par Le dernier des Mohicans, le XVIIIe siècle a servi de cadre à bon nombre de fictions littéraires et cinématographiques. Swampmen: Muck-Monsters of the Comics dredges up those creepy man-critters that crawled out of the bayou back in the s, through the memories of the artists and writers who created them! Wells qui n'a jamais rencontré le succès qu'il méritait alors que toutes les représentations cinématographiques de ce classique de la science-fiction se sont inspirées de lui Illustrateurs célèbres comme Jack Kirby le créateur prolifique avec Stan Lee des Quatre Fantastiques, de l'Incroyable Hulk, de Thor et des X-Men, ou Moebius le père de Blueberry ; - Artistes estimés des initiés mais pas encore populaires comme Neo Rauch le plus grand peintre de ce début de 21 ème siècle qui crée des toiles aux couleurs vives pleines de rébus mystérieux.

ISHI, Anne ed. The first global history of comics from through to the present day, arranged chronologically and richly illustrated with prime examples of the artists, styles and movements being discussed.

The authors contextualize the crucial modern period within the art forms broader history and offer a description of the more fluid, international and digital scene that is the mediums likely future. Nayar 8. Batman and the Joker almost seemed to define each other as opposites, hero and nemesis, in a kind of psychological duality. Scholars from a wide array of disciplines look at the Joker through the lens of feature films, video games, comics, politics, magic and mysticism, psychology, animation, television, performance studies, and philosophy.

In the summer of X-Men surpassed all box office expectations and ushered in an era of unprecedented production of comic book film adaptations. This trend, now in its second decade, has blossomed into Hollywood's leading genre. From superheroes to Spartan warriors, The Comic Book Film Adaptation offers the first dedicated study to examine how comic books moved from the fringes of popular culture to the center of mainstream film production. King and J. Préface de Jeffrey Katzenberg. This book describes the evolution of the cowboy hero as a mythic persona created by dime novels, television and Hollywood.

The development of the hero image and the fictional West is traced from early novels and films to the present, along with shifting audience expectations and economic pressures. The sagebrush trail -- Part I.

The rise of western movies, The great train robbery : or how early western movies stole America's heart ; Blazing the trail : new directors and the rise of feature westerns ; The big trail : tracking feature westerns through depression and war ; Tumbling tumbleweeds : guns, guitars, and b-western cowboys -- Part II.

Transitional westerns on new frontiers, The searchers : cowboys and containment on the cold war frontier ; Shane : western heroes and the culture of the cold war -- Part III.

A fistful of dollars : spaghetti westerns and changing times ; The wild bunch : American westerns on a revisionist trail ; True grit : traditional westerns ride again! Django unchained. Il western italiano oltre Leone, Alessandria, Falsopiano,pages. Wild nature provides a powerful setting but is a determinant of action and of character too. La proliferazione del genere annoPiombino, Ass. Culturale il Foglio,pages.

And what role have cinema and television played in this process? This intriguing study argues that sincethe two media have turned toward inner German experiences of the Third Reich. From intimate portrayals of conseil musculation perte de poids Germans and Nazi leaders to immersive spectacles of war and defeat, German film has focused on portraying the Nazi past from within.

In Real War vs. Reel War: Veterans, Hollywood, and World W a r II, Suzanne Broderick looks at how on-screen portrayals hold up against wartime experiences of actual combatants—soldiers, sailors, pilots, code talkers, and prisoners of war. A wealth of fresh detail is provided on Dr.

The book also examines the film within the context of the. Drawn from interviews, biographical research and extensive cultural analysis, this work is an indispensable resource for Kubrick fans, movie buffs and students of Cold War history. In War on the Silver Screen Glen Jeansonne and David Luhrssen vividly demonstrate how war movies have burned the images and impressions of those wars onto the American psyche more concretely than has the reality of the wars themselves.

That is, our feelings about wars are generated less by what we learn through study and discourse than by powerful cinematic images and dialogue. Préface de Pierre Schoendorffer. La guerre d'Indochine n'est pas seulement le sujet de quelques films de guerre réalisés par d'anciens enrôlés du Service Cinématographique des Armées tels Pierre Schoendoerffer ou Claude Bernard-Aubert.

Elle est également un phénomène de société, dont la présence, ténue nais récurrente, est notable dans les fictions françaises tous genres confondus tournées depuis plus d'un demi-siècle par des cinéastes aussi reconnus que Louis Malle, Claude Chabrol, Georges Lautner, Pierre Gravier-Deferre, Yves Boisset, Gérard Corbiau, Bertrand Tavernier, Régis 1Vargnier, etc. HELD eds. Held -The price we pay? Si cette histoire semble procurera ses lectrices un tel plaisir, c'est qu'elle formule allégoriquement les contradictions émotionnelles et sentimentales qu'elles éprouvent et que, à la manière des guides de développement personnel, elle s'avise de leur prodiguer d'audacieux conseils pour les résoudre.

Entre etle réseau de télévision Quatre Saisons diffusait tous les samedis soirs une série de films érotiques qui aura eu une répercussion sans précédent sur l'imaginaire d'une génération de spectateurs. Ce programme s'intitulait Bleu Nuit.? Ce livre brosse un survol historique singulier de la célèbre émission. Cet ouvrage porte surtout sur le public ayant regardé Bleu nuit et tentera, à travers plusieurs entrevues, critiques et témoignages, d'analyser la véritable formation d'un regard.?

Richement illustré, cet ouvrage collectif regroupe des articles rédigés par des spécialistes de renom, tout comme des souvenirs rapportés par des cinéphiles nostalgiques. LAU, Kimberly J. Press, Fairy Tale Studies, pages. Eroticism and the eighteenth-century imagination -Imperfect enjoyments: errors of the imagination in Restoration England -- "Too great warmth": Joseph Addison, Eliza Haywood, and the pleasures of reading -"Something greatly awful": what sex does in early novels -Sex as form: the aesthetic pedagogies of John Cleland and William Hogarth -- Coda philosophy's erotic forms.

Le cinéma met en jeu deux plaisirs antithétiques : regarder et être regardé, voyeurisme et exhibitionnisme. À une époque où gays et lesbiennes sont présents à la télévision et au cinéma, comme personnages centraux ou en tant que proches, voisins ou amis de ces derniers, il est intéressant de revenir sur un passé où ces personnages pouvaient être discrédités. During the sex wars of the s, sex-positive feminism entered the adult film industry with a performer support group known as Club Over the next three decades feminism found a home among an influential group of women in pornography.

Pornography Feminism: As Powerful as She Wants to Be is a popular history of this unfolding saga told largely through personal interviews along with scholarly works, previous popular histories, and film reviews. The author also explores such elements as romantic versus democratic love, the representation of female sexuality, and new family models. With an interdisciplinary approach, this book touches on many different areas, including sociology, psychology, gender studies, and media studies.

Préface de Dominique Maingueneau. Postface de Wendy Delorme. Il se penche aussi sur les noms des pornstars et des jouets sexuels, sur les catégories et les tags qui organisent un domaine devenu foisonnant. Avoir l'abricot en folie, S'astiquer les cuivres façon grand hôtel, Faire partie de la bande à Ripolin, Mettre une fausse barbe Autant de métaphores, artisanales, animalières, florales, militaires ou religieuses, qui font, de manière détournée mais toujours évocatrice, toute la sensualité du vocabulaire érotique.

Les mots peuvent être à double sens et laisser planer une équivoque souvent savoureuse. L'auteur de ce Bouquin des mots du sexe montre à la fois la pérennité et l'évolution à travers les âges de certaines de ces images. Ainsi, le célèbre café du pauvre d'Alphonse Boudard rejoint ce que le XV e siècle appelait les pauvretés — les parties dites honteuses. Au XVI e siècle, la pauvreté de Dieu, c'était le sexe de l'homme ou de la femme. Au siècle suivant, faire la pauvreté, c'était coïter.

Tous les styles sont ici représentés, du plus sophistiqué le manche de corail, le rubis cabochon au plus argotique tutoyer le pontife en passant par des formulations plus mystérieuses encore prendre les chemins de Fatima, faire le coup du macaron, soutirer une femme au caramel. From sitcoms to horror movies, teen comedies to erotic thrillers, autoeroticism is easily detected on screen.

The portrayal, however, is not a simple one. The screen reflects this conflicted relationship.

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It is there—hundreds and hundreds of times—but it is routinely whispered about, mocked and presented as a punchline, and is inevitably portrayed as controversial at the very least. Haberski Jr. The Victorians worried about many things, prominent among their worries being the 'condition' of England and the 'question' of its women.

Sex, Crime and Literature in Victorian England revisits these particular anxieties, concentrating more closely upon four 'crimes' which generated special concern amongst contemporaries: adultery, bigamy, infanticide, and prostitution. Each engaged with questions of sexuality and its regulation - as well as the legal, moral, and cultural concerns - which attracted the considerable interest, not just of lawyers and parliamentarians, but also novelists and poets, and perhaps most importantly, those who, in ever-larger numbers, liked to pass their leisure hours reading about sex and crime.